Bruce Jenner Likely Will Sit Down With Diane Sawyer To Discuss Transitioning



via BuzzFeed

The Keeping Up With the Kardashians star has also been filmed for months by E! reality cameras for an upcoming docuseries on Jenner’s coming out.



Bruce Jenner and Kim Kardashian


Bauer-Griffin/GC Images


Bruce Jenner, the Olympic gold medalist turned reality star, will soon discuss what the gossip press and gawkers have been wondering of late: Yes, Jenner is planning to sit down for an interview to come out as transgender and discuss transitioning. BuzzFeed News has confirmed that Diane Sawyer of ABC News was in the final stages of negotiating the interview as of last week.


Jenner's coming out will be timed with the announcement of a docuseries that has been following Jenner and the extended Kardashian-Jenner family, BuzzFeed News has also confirmed. The upcoming reality series will air on E!, the NBC Universal cable channel that has broadcast the lives of this famous family since 2007. That E!'s corporate sibling NBC News seemingly will not be landing the Jenner sitdown has caused internal consternation in the news division, as its booking war with ABC News continues to cause strife. NBC's only hope is that with the Kardashian-Jenners, anything can happen. A spokesperson for ABC News had no comment.



Jenner's changing appearance has confounded the tabloids, the paparazzi, and even some Kardashian-Jenners themselves in the past several years, showing how far behind we are in being able to discuss trans issues and gender fluidity with understanding or nuance, let alone the right vocabulary. Executives and publicists at NBC Universal are treating the Jenner project — internally and with the mainstream press — with secrecy, shrouding it in silence as if it's the transgender twist in The Crying Game. To those who have been horrified by Jenner being maliciously mocked, the company's actions are foreboding. Over the years, E!'s Keeping Up With the Kardashians and its offshoots have showcased the ups and downs of the family, including Kim Kardashian's divorce and Lamar Odom's drug addiction. Even so, the shows have clearly been staged, and have shown no sign that a story such as Jenner's could avoid exploitative, tee-hee trappings.


When asked by BuzzFeed News about the reports of a Jenner show, which escalated last week, a spokesperson for E! responded, "We are not commenting." Jenner's agent also did not respond to multiple requests for comment.



In the absence of factual information furnished to the mainstream press, NBCU has continued to allow the story of Jenner's transition — which is, after all, in part a visual one fed by the paparazzi — to be told by the usual narrators of the Kardashians' doings: the gossip press. The family is known for their porous relationships with the outlets that cover each scandalous development in their lives, and even Jenner's life-changing trajectory has proven to be no different. Last week, those outlets' stories included, People's "Bruce Jenner Is 'Transitioning into a Woman,' Source Confirms to PEOPLE" on Friday; "Finally the Truth!" is the current cover of Us; "Bruce Jenner Decision to Become a Woman Made More Than a Year Ago," was one of several TMZ headlines in recent days; and RadarOnline blared, "Bruce Jenner To Address TRANSformation In 'Major Sit-Down Interview' & E! Docuseries."



And so Jenner's story has continued to be a lurid spectacle. The former track star, who turned 65 in October, now has long hair and is sometimes photographed with manicured hands, on top of past plastic surgeries. The combination, as well as Jenner's reticence on the subject, has created different strains of public projection. There has been both leave-Jenner-alone sympathy and, from segments of the LGBT community, please-join-us inclusion. But the evolution has also made Jenner an object of cruel ridicule — earlier this month, for instance, In Touch Weekly controversially photoshopped a picture of Jenner as a woman.



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This Year's "Vanity Fair" Hollywood Issue Took A Huge Step Backward In Terms Of Diversity



via BuzzFeed

Only two of the actors featured are people of color, as opposed to 2014’s annual installment, which included six actors of color, two of whom were front of the fold. BuzzFeed News looks at the magazine’s newsstand sales to see if that’s behind the whitewashing.


Vanity Fair has released the cover image for its 2015 Hollywood Issue, and the photo is overwhelmingly white.


Vanity Fair has released the cover image for its 2015 Hollywood Issue, and the photo is overwhelmingly white.


Annie Leibovitz / Vanity Fair / Via vanityfair.com


There are only two actors of color featured, and they're both behind the fold.


There are only two actors of color featured, and they're both behind the fold.


Annie Leibovitz/Vanity Fair / Via vanityfair.com



Annie Leibovitz via vanityfair.com




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The Force Behind Sundance’s “Potent” Black Films



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Several films exploring black lives both past and present resonated strongly with Sundance audiences, regardless of race. “Black stories are human stories … and belong to everyone,” Shari Frilot, senior programmer for the Sundance Film Festival, told BuzzFeed News.



Shari Frilot speaks onstage at the Lila and Eve premiere during the 2015 Sundance Film Festival on Jan. 30, 2015 in Park City, Utah.


Michael Loccisano / Getty Images for Sundance


PARK CITY, Utah — The story of the killing of a rising young black leader in 1969 hit the Sundance audience hard. As the details of Fred Hampton's death rolled out — the Chicagoan was fatally shot by police in his apartment, a killing that felt like an assassination — it was evident that viewers were having an emotional reaction to The Black Panthers: Vanguard of the Revolution. It was one of several visceral moments in Stanley Nelson Jr.'s documentary, and even though it was first viewed by a largely nonblack audience, those who witnessed the film at the 2015 Sundance Film Festival gasped when they saw images of the 21-year-old's bloody, bullet-ridden body hanging halfway off his bed.


That same emotional connection would play out at other black films that screened at the festival. This year's group of films ranged in terms of setting and era; some reached back to explore the Black Panthers party or Nina Simone, and others took on contemporary issues like racial profiling and subsequent unjust murders. The common link between them was that they all were striking cinematic experiences, gut-punching viewers with a dose of historical reality from which it was difficult to quickly recover.


Shari Frilot is the reason why these types of stories are even being presented at Sundance, particularly to an audience that tends to be largely white. Frilot has been with the Sundance Institute since 1998 (her first Sundance Film Festival was in 1999), and she's the festival's only black programmer. She's also the curator of Sundance's New Frontier, an interactive art exhibit that presents storytelling in innovative and groundbreaking ways — to her, story is a way that we connect with our shared experiences.


"Culture is a way for us to see ourselves and to understand our humanity, to define ourselves to ourselves, and in the society that we live in," Frilot said in an interview with BuzzFeed News. "It really kind of sets the tone for our lives; not just film, but the stories. Film plays an important role in communicating story, and getting the story out there because of how immersive it is, and how engaging it is, how seductive film is, and how accessible it is."



An image from Stanley Nelson Jr.'s The Black Panthers: Vanguard of the Revolution.


Pirkle Jones / Via http://Sundance.org


It's not that the films felt heavy-handed or that they were lecturing to the audience. But there was a sense that many of the films shown this year had meaning and power. This hasn't been a banner year as far as quantity of black films or films made by black directors at the film festival, but the collective subject matter has been exceptionally gripping.


There was the highly emotional documentary 3 1/2 Minutes, which recounts the story of 17-year-old Jordan Davis, who was killed in 2012 at a Florida gas station for not turning his music down. The Spike Lee-produced Cronies echoed what we saw play out in Ferguson, Missouri. "This is why black boys are having a hard time living in the society," said Frilot, "because we're telling ourselves the wrong story, and we're doing the wrong thing because of it — it's important to have films that are diverse."


This mirroring of societal struggles old and new playing out on Sundance screens was not intentional, Frilot said. Even some of the filmmakers who had films in the festival this year — like Nelson, who directed The Black Panthers: Vanguard of the Revolution — said they were pleasantly surprised when Frilot reached out to them to ask them to submit their films for consideration. ("Really? For Sundance?!" he joked in front of an audience, adding that he was incredulous when Frilot first approached him about screening his 2010 documentary Freedom Riders.) But being wholly inclusive is important, Frilot said.


"Black stories are human stories, and black stories belong to everyone because black people are part of society," Frilot said. "Whether you're a black audience, a white audience, everybody's going to benefit from understanding and being empathetic about black lives, black stories, black experiences. It creates a world that is livable. There are a lot of levels of engagement, and interest that I have in film … it's all rooted in creating a more capacious society."




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Can You Match The "Gossip Girl" Character To Their Storyline?



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Did you really love Gossip Girl like XOXO?



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