Starring on BBC America’s clone drama not only introduced the 25-year-old actor to the world, it gave him the unique opportunity to discover different facets of himself.
BBC America
Two years ago, actor Jordan Gavaris, who plays Felix Dawkins on BBC America's acclaimed clone drama Orphan Black, had fans cheering when he sat onstage at Nerd HQ at Comic-Con and spoke out on behalf of his flamboyant gay character and critics' reactions to him.
"You cannot collectively as a society decide that you are only going to represent one part of a minority. It's like saying you've represented black people on television because you aired an episode of the Cosbys. That is not true. … It's not fair, it's exclusionary, and it's irresponsible," he said before he was interrupted by whooing and applause. "I just don't know when as a society … it sort of only became OK to represent gay people in the traditional sense where they have a great job, and well-adjusted parents, and maybe a surrogate or adopted child. When was that the only way you could represent gay people? … And I love Felix to death. Clichés and not clichés and everything. And maybe that's a choice he makes consciously, a defense mechanism. There's a million reasons why. There are so many more interesting things to Felix than who he's sleeping with."
But it wasn't always so easy for Gavaris to speak so openly. "The statement I made about LGBTQ representation in media, I would have never been able to make that two years prior," he told BuzzFeed News of his much-lauded missive. "I was one of those kids who kept trying on different skins in high school. I was very afraid to be myself around all of these kids, to really reveal any part of myself that was true, so I would try on different skins, try on different masks, hoping I'd hit on one that was cool or quirky or interesting enough that suddenly I would be OK. I'd be popular. I'd be invited in to the in-crowd, which I never was. So when I'm sitting up on those panels, staring into a sea of faces, I recognize their enthusiasm in myself and I keep drilling it into myself that I'm not special. I'm a unique person, as everyone is, but none of us has more of a right to existence or a right to specialness or uniqueness than anyone else. I just happen to have the microphone in front of me for this moment."
Gavaris at the 26th Annual GLAAD Media Awards on March 21, 2015.
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There are few similarities between the 25-year-old Canadian actor and his character: Felix's bombastic, in-your-face nature stands in stark contrast to the reserved nature and pensiveness that permeated every thought Gavaris expressed over the course an hour-long lunch with BuzzFeed News at Fat Dog in Los Angeles. And Gavaris' heavily reblogged Nerd HQ speech was the result of fastidiously educating himself on topics before speaking about them and, perhaps more significantly, finding the confidence to proudly take a stance — something Orphan Black has played an integral role in.
He can even pinpoint the particular Season 2 moment that forever changed him: when, in Cal's (Michiel Huisman) cabin, Felix says, "There's no place for me here." A seemingly innocuous line, but one that resonated deeply for Gavaris.
"I get emotional every time I talk about it because that is obviously something incredibly personal. I have felt for most of my life that there is not a place for me," the actor said. "That was a great deal of my childhood. There was never a place for me at the lunch table; there was never a place for me in the halls. I was bullied very badly. That feeling of rejection and being left behind is so familiar to me, when [Felix] said that, there was no way to stop me from revealing that I knew something about what that felt like."
But that scene in Cal's cabin changed everything. "That scene was the beginning. That was the 'Oh fuck,'" Gavaris said. "That was the door. That was the entrance. That's when I knew it wasn't about performing, it wasn't about mechanics; it was about having an experience and the cameras just happening to catch it. The prospect of those experiences is why we [act]. The prospect of the moments where we go, 'Oh wow, I didn't know I was going to do that.' When the scene really works, you're swept away. The scene plays you. You're not there. You're not in control. Half of what you're doing doesn't make sense. You're telling a story with your instincts, your experiences, your impulses, your unbridled and uninhibited impulses; you're telling a story with all those different things, and that's what you hope for. That's what I hope for with this show: more and more experiences that reveal something about me, to me, that I didn't know."
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